The critic falls into the same trap as Carson did - a dreary insistence on contemporary 'relevance' laid upon a charming romantic farce. We want an escape from Trump and war for a few hours, not to be taunted with it and left with sour regret. We do not need to. reminded that WW1 is coming, any more than we need a giant clock to tell us Violetta will die
The critic falls into the same trap as Carson did - a dreary insistence on contemporary 'relevance' laid upon a charming romantic farce. We want an escape from Trump and war for a few hours, not to be taunted with it and left with sour regret. We do not need to. reminded that WW1 is coming, any more than we need a giant clock to tell us Violetta will die
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