Featured Post

Tuesday, September 25, 2018

Roberto Alagna And Elina Garança In Samson et Delilah, at the Metropolitan Opera premier

1 comment:

  1. The orgy lacked conviction. This needed crashing columns and more writhing slave girls. Dagon is left standing as our tenor fails the last B flat, and the Philistines, both onstage and in the crowd are barely smited.

    ReplyDelete